Pretty good, as movie trailers go.
I’ve not seen him return to the high level of performance in the first installment, but I have some high hopes for this one.
In my view, there’s a delicate formula at work. Indiana Jones is undeniably the central character, but simply defining him as a hero capable of achieving the goal is insufficient for completing the task at hand. The star of the first movie, really, was the Ark of the Covenant. Dr. Jones was just one among a multitude of protagonists who were trying to find it — the titular “raiders.” If he were viewed through the same lens through which we saw him since, it would have ruined the movie.
A fascinating hero has to be a careful balance between the competent and the mundane, between what’s simplistic and what’s deep and mysterious. To remanufacture such a hero into a deity is a huge mistake.
Here’s a great example of what I mean. I noticed Dr. Jones’ fellow noted fictional archeologist Lara Croft’s biography was re-done (and possibly, although for now this is a matter of perspective, rebooted/re-imagined) with her own last installment…
Lady Lara Croft has already eclipsed her father’s career; as of this writing she is credited with the discovery of some fifteen archeological sites of international significance. These sites are still yielding new and exciting insights to the past on an ongoing basis. No one can deny Lady Croft’s incredible contribution to the field of archeology, however she is not without her detractors.
Lara’s methods have been frequently called into question by government officials and other practicing archeologists. She has been described variously as anything from cavalier to downright irresponsible. Some scholars have suggested that her notorious lack of documentation and brute force methodology have contaminated countless sites and done more harm than good. There have even been (unsubstantiated) allegations that Lara actually takes items from these sites before informing the international community of their locations, and that she is nothing more than a glorified treasure hunter.
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Nevertheless if you even make a cursory search on the Internet for the Unexplained, the Mysterious and the Downright Unbelievable, time and again you will find Lara Croft’s name appearing. She appears to be a hero to conspiracy theorists and alternate history aficionados alike.It seems the further you dig into Lady Croft’s life, the more bewildering and mysterious she becomes. Perhaps like the archeological sites she discovers, we have only scratched the surface of this incredible woman and the complex and inscrutable secrets buried deep within her.
And then Lara/Indiana was responsible for the moon being properly hung, forming the Grand Canyon, traveling back to the time of the ancient pyramids and defeating the dread evil robot Kubla Kahn.
An Indiana Jones franchise that seeks renewed and eternal life, needs to steer clear of this kind of nonsense. His character changed movie history in the first place by being just some more-or-less ordinary guy. A guy who had cat-like reflexes and was good with a bullwhip, true. But as the first movie ground onward and through the famous truck chase, what really fascinated us with him was his ingenuity, resourcefulness, determination — lack of superpowers — stuff we all have.
And throughout that particular adventure, Marion did some stuff…Sallah did some stuff…even Brody and Musgrove and Eaton did some stuff…without those contributions, the Nazis would have gotten the Ark. If the fourth installment is going to be an endless process of scary things happening, followed by all heads swinging toward the godlike Indy as everybody wonders “what’s he gonna do about that?”, then I predict a movie that’s going to suck.
This is why the second installment was so bad. Of course not everybody agrees with that…
The film won an Academy Award for Visual Effects. Indeed, both Lucas and Spielberg have stated that Temple of Doom was focused on effects to a higher degree than either Raiders of the Lost Ark or Indiana Jones and the Last Crusade. It has a 91% rating on Rotten Tomatoes.
But the fact remains, it’s a bore. I own it. Among the movies I’d want to watch again, it’s pretty close to the bottom of the stack…because, wonderful special effects aside, it’s boring. Half the footage is of Kate Capshaw being a loud screaming whining weenie, probably because…
Steven Spielberg and George Lucas aimed to make the sequel to Raiders of the Lost Ark much darker, due to their personal moods following their break-up and divorce respectively.
Nothing like misogyny to add depth to things.
As far as the third one, it was somewhat better but this is mostly because of Mr. Connery’s amazing talents. Also, the effort to “flesh out” the character a little bit more, make him more like a real person, was mostly a success. But it was flawed, a victim of the Dark Ages between the late 1980’s and mid 1990’s when masculine heroism was thought to be passé.
In that time, it was a rule, or might as well have been one. If a straight white six-foot-tall male saves the day, there has to be something wrong with him.
And so Indiana Jones had some daddy issues.
And I doubt the filmmakers will ever admit it, but this made it so difficult to continue the series afterward that it was singularly responsible for the gaping chasm of time between the third installment and now. Why — I drove a brand-new Toyota right into the ground in that length of time. Yes, I did. Bought ‘er brand new after the third movie was already out, and she just expired four months before the fourth movie is released. And that, friends, when you’re talking a Toyota, is a stretch of time if ever there was one.
So that’s what worries me. When we last saw Indiana Jones (the Chronicles being an exception to this), he was a flawed, weak man and there’s going to be this impulse to show us how virile and godlike he is. To define the character just a little bit more…yet again…for the benefit of a new generation that has never before experienced the thrill of a brand new Indy movie hitting the screen. It’s understandable, but that balance is now at risk. The balance between defining the hero, and defining the artifact, story, bad guys, relationships among bad guys, romantic tensions…all that stuff that makes a genuinely good movie.
The bar is high. Steven Spielberg has often left the impression that his most amazing successes are accidents. The first Raiders movie is such a perfect blend of so many things, with the timing just right dead-on. It speeds up when you’re in the mood, slows down when you’re in the mood…never gets boring…but the important thing is that you see potential in yourself when you watch a movie like that. He is like you…and so is she. We are all “raiders.”
Without that, a critical ingredient is missing from the formula, and the magic isn’t coming back.
But as I said, I have high hopes. I’m confident, at this point, that everything stated above is mowing over old grass that’s already been whittled down with the frenzied efforts involved in making the new installment. And we’ll be there on May 22nd with bells on, doing the Mervyn’s open-open-open thing.




Why, the peanut allergy thing seems to substantiate these concerns pretty solidly, all by itself. If you’re my age, 41, how many kids did you know in the third grade who had an allergy to peanuts? In all of K through 12 — how many times did you see that? Or even hear of it? And now…everyone knows someone who knows someone. Anything made with peanut products…anything made with machines that have come into contact with peanut stuff…has to be clearly called-out.
Becky is 
And now it’s led to
Pokemon will be banned from my house only for a little while, until a certain ten-year-old shows me some of the leadership and intiative I saw in him when he was six. I know he’s got it in him, so this won’t be much of a wait. But what about all the other toe-heads of his generation? Half the time the protagonist’s adorable pocket-monster loses the fight, and so you have to be prepared for disappointment; there is some value in that, I guess. But is it put to any practical use if that protagonist has no concern about anything, other than a miniscule delay as his inevitable victory is positioned at the end of the episode rather than in Act One?
Today’s phony egghead study about women being good and men being bad, brought to you
Some of us refuse to act this way. When we’re told we’re “supposed to” do something, we want to know why. We don’t do this so we can be seen acting smarmy; we do this because it makes sense. When we buy things that require assembly, we (within reason) throw away the instructions as part of the first step. In short, we trust our ability to think rationally. To play chess with life…if you are hip with that metaphor. We figure that ability, and the using of it, are indispensable parts of our purpose on this planet.
CUCKODOX (n.) : A male movie character whose wife or girlfriend cheats on him. In spite of this, the producers of the movie fully intend that you somehow sympathize with the slut who started sleeping with someone else without leaking to her main man a single syllable about any reservations she might have had about their relationship. He is a rustic construct representing nothing more complex than simplistic rules, tradition, convention, all with an air of stuffy patriarchal mildew. A portmanteau of “cuckold” and “orthodox.” As a fictitious character, he is inserted into the story for the purpose of representing a value or system of values, and the rival for his affections is also inserted to represent a system of values and not much more. His role is to impose traditional rules of behavior on his sweetheart, and to be dumped by her once a more exciting and unkempt stud comes along, who is almost always from a lower economic class.
Guy Hasson, if I’m understanding him correctly, is not demanding a greater supply of imagination, creativity, variety and good storytelling; he’s asking for less of these things. A tough, hardy, intelligent, skilled and disciplined band of brothers have been portrayed as intrinsically understanding the most noble course of action, and then taking it upon themselves to hunker down and get it done. They laid down their lives and endured agonizing death in order to protect the weaker — and at the moment the final arrows hit, they were exactly what they were when the opening credits rolled by. No transformation. No loss of innocence. No “Omigaw, I just screwed up.” No “Omigaw, I was sure I’d make it back again.” No “Omigaw, I became what I went to fight.” Complete omigaw-free. Just manly men in the purest sense, doing what manly men do, understanding from start to finish what that all entails.
Hmm. Things would’ve been different if someone explained