Alarming News: I like Morgan Freeberg. A lot.
American Digest: And I like this from "The Blog That Nobody Reads", because it is -- mostly -- about me. What can I say? I'm on an ego trip today. It won't last.
Anti-Idiotarian Rottweiler: We were following a trackback and thinking "hmmm... this is a bloody excellent post!", and then we realized that it was just part III of, well, three...Damn. I wish I'd written those.
Anti-Idiotarian Rottweiler: ...I just remembered that I found a new blog a short while ago, House of Eratosthenes, that I really like. I like his common sense approach and his curiosity when it comes to why people believe what they believe rather than just what they believe.
Brutally Honest: Morgan Freeberg is brilliant.
Dr. Melissa Clouthier: Morgan Freeberg at House of Eratosthenes (pftthats a mouthful) honors big boned women in skimpy clothing. The picture there is priceless--keep scrolling down.
Exile in Portales: Via Gerard: Morgan Freeberg, a guy with a lot to say. And he speaks The Truth...and it's fascinating stuff. Worth a read, or three. Or six.
Just Muttering: Two nice pieces at House of Eratosthenes, one about a perhaps unintended effect of the Enron mess, and one on the Gore-y environ-movie.
Mein Blogovault: Make "the Blog that No One Reads" one of your daily reads.
The Virginian: I know this post will offend some people, but the author makes some good points.
Poetic Justice: Cletus! Ah gots a laiv one fer yew...
Once the transformation from angel to demon has been effected, the full fury of the awesome forces within the Ark is unleashed against the Nazis violators. Flames leap forth from the open chest, and in a matter of moments, Dietrich’s face shrinks to a mummy-like visage. Toht’s features melt away from his skull, and Belloq’s head explodes into a pulpy mess. Spielberg had decided that the villains should be disintegrated. The storyboards dictated close-ups of Belloq, Toht and Dietrich with their faces shutter and crumble away but after many efforts and thoughts they realized that they couldn’t do such a thing, so instead of disintegrating them they decided to give to each of them a different kind of death. Life molds of the characters in the screaming positions they would ultimately reach had to be taken. They had them hold their positions while they took castings of their faces and then special make-up artist Chris Walas had to rebuild their faces from the molds. Walas produced a series of three artificial heads. The first, representing Colonel Dietrich, employed inflatable bladders which when pumped up with air, sustained the face’s proper shape. Joe Johnston’s hand was used during shooting in the close-up to impart some added life to the scene. When the air was sucked out, the bladders deflated and the face became instantly mummified. It took eight or nine people to control the effect, manipulating different levers inside the head, all of which had to be done on hand.
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