Alarming News: I like Morgan Freeberg. A lot.
American Digest: And I like this from "The Blog That Nobody Reads", because it is -- mostly -- about me. What can I say? I'm on an ego trip today. It won't last.
Anti-Idiotarian Rottweiler: We were following a trackback and thinking "hmmm... this is a bloody excellent post!", and then we realized that it was just part III of, well, three...Damn. I wish I'd written those.
Anti-Idiotarian Rottweiler: ...I just remembered that I found a new blog a short while ago, House of Eratosthenes, that I really like. I like his common sense approach and his curiosity when it comes to why people believe what they believe rather than just what they believe.
Brutally Honest: Morgan Freeberg is brilliant.
Dr. Melissa Clouthier: Morgan Freeberg at House of Eratosthenes (pftthats a mouthful) honors big boned women in skimpy clothing. The picture there is priceless--keep scrolling down.
Exile in Portales: Via Gerard: Morgan Freeberg, a guy with a lot to say. And he speaks The Truth...and it's fascinating stuff. Worth a read, or three. Or six.
Just Muttering: Two nice pieces at House of Eratosthenes, one about a perhaps unintended effect of the Enron mess, and one on the Gore-y environ-movie.
Mein Blogovault: Make "the Blog that No One Reads" one of your daily reads.
The Virginian: I know this post will offend some people, but the author makes some good points.
Poetic Justice: Cletus! Ah gots a laiv one fer yew...
Jonah Goldberg, writing in Townhall:
It may be hard for some people to get the joke these days, but for most of human history, actors were considered low-class. They were akin to carnies, grifters, hookers and other riffraff.
In ancient Rome, actors were often slaves. In feudal Japan, Kabuki actors were sometimes available to the theatergoers as prostitutes — a practice not uncommon among theater troupes in the American Wild West. In 17th century England, France and America, theaters were widely considered dens of iniquity, turpitude and crapulence. Under Oliver Cromwell’s Puritan dictatorship, the theaters were forced to close to improve moral hygiene. The Puritans of New England did likewise. A ban on theaters in Connecticut imposed in 1800 stayed on the books until 1952.
Partly out of a desire develop a wartime economy, partly out of disdain for the grubbiness of the stage, the first Continental Congress in 1774 proclaimed, “We will, in our several stations … discountenance and discourage every species of extravagance and dissipation, especially all horse-racing, and all kinds of gaming, cock-fighting, exhibitions of shews [sic], plays, and other expensive diversions and entertainments …”
Needless to say, times have changed. And I suppose I have to say they’ve changed for the better. But that’s a pretty low bar. I don’t think acting is a dishonorable profession, and I’m steadfastly opposed to banning plays, musicals, movies and TV shows.
But in our collective effort to correct the social stigmas of the past, can anyone deny that we’ve overshot the mark?
:
The most recent Golden Globes ceremony has already been excoriated for being a veritable geyser of hypocritical effluvia, as the same crowd that not long ago bowed and scraped to serial harasser and accused rapist Harvey Weinstein, admitted child rapist Roman Polanski and that modern Caligula, Bill Clinton, congratulated itself for its own moral superiority.The interesting question is: Why have movie stars and other celebrities become an aristocracy of secular demigods? It seems to me an objective fact that virtually any other group of professionals plucked at random from the Statistical Abstract of the United States — nuclear engineers, plumbers, grocers, etc. — are more likely to model decent moral behavior in their everyday lives. Indeed, it is a bizarre inconsistency in the cartoonishly liberal ideology of Hollywood that the only super-rich people in America reflexively assumed to be morally superior are people who pretend to be other people for a living.
Exactly. We’d be better off throwing a pair of dice to figure out what’s right vs. what’s wrong, than we are turning to the acting profession for moral guidance. This is a profession — never forget this — that relies on pretending false things are true.
I see Gerard posted a video of the one thing that, in my mind, persuasively puts other countries ahead of the good ol’ US of A; we have this bizarre cultural wrinkle, that compels us to dress up our weather girls as high-ranking executives in some stodgy old bank or law firm or something. I’ve complained about this before, and for good reason. It’s dumb. Mexico has Yanet Garcia and the Mighty Mayte Carranco, and we have stuffy also-rans in pantsuits scolding us about the five-day forecast like we’re the stupidest male student on the third-grade playground and they’re the frumpy yard duty teacher. My home country is getting its ass whipped on this front, for no good reason.
Had to reply to one commenter:
I’m truly glad you enjoyed the video so robustly. However, there is a concept in play of appropriate professional dress. Weather forecaster is a professional job, no? Sometimes it is a stodgy man in a suit who does the job, more rarely a stodgy woman, sometimes a hot babe in a cocktail dress. I do understand sex sells. But please to never again bring up the issue of skankiness with regard to today’s women, as the men of the manosphere so often do; no, the hypocrisy is too flaming to bear. For although the weathergirl may not be a ho, she is wearing a ho’s uniform. Your appreciation for one and not the other makes no logical sense to my simple and straightforward mind…
To which I said…
“Weather forecaster is a professional job, no?”
Wherever there is a disagreement, it’s a rare and good opportunity that arises, to mark the exact point of dispute. And here it is.
No.
Entertainers are entertainers. They’re not leaders or moral compasses or role models or oracles. And throwing all these things into the same big stewpot is dangerous.
It’s an important point, because it highlights exactly where we’re getting all twisty, where things are falling apart. Entertainers have the job of making people want to watch them. And so the rest of us — quite rightly, I would say — anticipate that kids will watch them, and try to figure out what the consequences will be. And so there is aroused this pressure, from outside & from within the entertainment industry, to figure out what would put kids on the wrong path, and do the opposite. All good so far.
The problem is, as Goldberg points out above, we’ve overshot the mark. We’ve passed the point where we see entertainers as a lodestar for where our society is going, for where it ought to go. And it’s not lost on me that we’ve pivoted, in many cases, from figuring out what’s right & true, to figuring out what’s inevitable…as in, right or wrong, this is where it’s going, better get on board or get left behind…
Some of the biggest problems we have aren’t getting fixed, until this one gets fixed first. Court jesters are not kings. They need to mind their place, and the rest of us need to fulfill our basic duties as good citizens, by putting them (back) there.
There’s another problem here too though, one that has to do with inappropriately binary, all-or-nothing thinking. The casual female deserves more respect. There is dressing like the female CEO of a Fortune 500 company, and there is a “ho’s uniform”; any woman who’s shopped for her own wardrobe knows there are a lot of increments between those two extremes. This is a case of achieving the opposite of what’s intended, for if you take a look at the schoolgirls we’re supposed to be educating to respect themselves better, by pressuring the weather girls to dress up like bank executives — well, the schoolgirls aren’t dressing like bank executives, let’s just say that. The problem here is that the adults have taken something ultra-seriously, thinking the kids will take it equally seriously, and the kids look at it and go…meh.
But we didn’t really want the schoolgirls to dress like bank executives, did we. The errant ultra-strict dress code is pressed upon the weather girls, to make the weather girls look appealing, but to female viewers. As in, look pretty, but don’t make other women jealous. Everyone knows this is true. We’re just not allowed to talk about it.
Now excuse me, I have to go find out about the weekend forecast in Tijuana, because…reasons.
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“… because reasons.”
Nyuck Nyuck Nyuck
- vanderleun | 01/12/2018 @ 12:41Well, let’s see. Actors have other folks to….
- CaptDMO | 01/13/2018 @ 17:29Do their hair, do their make up, write their words, feed them, instruct them how act, light them, “mix” their voices, provide “background” music, negotiate their contracts, shill their name, photograph them with “important” people, “coach” them how to speak, exercise, eat, dance.
Thank goodness for INSTANT charities, hash tag causes, annual award shows, and teleprompters.
There’s another reason that actors are not to be trusted – their job is to lie to you.
When an actor takes the stage, their only job is to convince you, if only for a moment, that what they are saying is true. And every time, it is not.
Getting personally involved with someone that actively pursues the ability to convince you of a lie is folly. Following such a person politically, economically, socially, or in any other way seems to have a similar outcome. Kelsey Grammer or Ted Danson, they’re all suspect.
Why is that so hard to understand? Is the lie that appealing?
- Mburris | 01/15/2018 @ 09:17